So male-identified was his character that the men's restroom in Al's Diner was referred to as his "office." It only took a snap of his fingers to have women do his bidding or grown men cower in fear of being pummeled by an out-of-control Fonzarelli. His image of an impervious, highly testosteroned male, albeit with modicums of vulnerability and hyperbole as acted by Winkler, was overtly rewarded in the show. Yet his popularity on the show may have tapped into deeper audience identifications. But again, Fonzie's representation had none of the hard edge or angst of a James Dean or Marlon Brandon character and was played more for laughs than social critique.
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Yet generational harmony is restored when Ritchie makes Howard realize that he, too, participated in the culture of Inspiration Point when he was young.įonzie's lower class status, his black leather clothes, and motorcycle, propensity to get into fights, and apparent sexual exploits with multiple women takes advantage of the code of delinquency which social scientists of the period fashioned under the rubric of deviancy studies. Fonzie even chains himself to a tree at the site. Civil disobedience is suggested by the teenagers' organization of petitions and picket signs to protest the plan. One episode pits Ritchie and his friends against Ritchie's father, Howard ( Tom Bosley), by virtue of his support of a business plan that would send a freeway through the teen make-out spot, Inspiration Point. There was no inkling of the "generation gap" discourse which was beginning to differentiate youth from their parents in the 1950s, and which was still active in the mid-1970s when the show was created. Minor skirmishes erupted between parents and children, but dinner together was never missed-prepared and served by mother, Marion ( Marion Ross), or daughter, Joanie (Erin Moran).
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The Cunninghams represented the middle class family values of the era. With rock and roll confined to the jukebox of Al's Diner, the kids worried over first loves, homecoming parades, and the occasional innocuous rumble. The show presented a saccharine perspective on American youth culture of the 1950s. Fonzie increased the popularity of the show and actor, who portrayed him, Henry Winkler, and by 1980, "the Fonz" had achieved top billing. But his leather jacketed, "great with the girls," biker profile unexpectedly captured the imagination of viewers. The character, of Arthur Fonzarelli, Fonzie, with whom the show is now most associated was originally only fifth-billed.
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In 2012, Moran was among the handful of Happy Days actors who won $65,000 each in a settled lawsuit against CBS over unpaid royalties.Happy Days originated in 1974 as a nostalgic teen-populated situation comedy centered on the life of Richie Cunningham ( Ron Howard) and his best friend Potsie (Anson Williams), both students at Jefferson High School in 1950's Milwaukee Wisconsin. More recently, she competed on the VH1 reality show Celebrity Fit Club and appeared in the low-budget 2010 film Not Another B Movie.
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Moran later landed guest appearances on TV shows including The Love Boat, Murder, She Wrote and The Bold and the Beautiful. The former child star reprised that role in 1982 for the short-lived spinoff Joanie Loves Chachi alongside Scott Baio before returning to Happy Days for its final season in 19. In a short press release on Monday, the department said an autopsy revealed that Moran "likely succumbed to complications of stage 4 cancer." Toxicology test results were still pending.īorn in Burbank, Calif., Moran shot to fame in 1974 after she was cast as the younger sister to Ron Howard's character, Richie Cunningham, in Happy Days. The Harrison County Sheriff's Department says Moran was found unresponsive after Indiana authorities received a 911 call Saturday afternoon. Erin Moran arrives at the Fox Reality Channel Really Awards in Los Angeles in 2008.Įrin Moran, best known for playing Joanie Cunningham on the 1970s sitcom, Happy Days, is dead at age 56.